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Sunday, July 5, 2015

'(T)ERROR': Who is Watching the Watchers?...

(T)ERROR film image
Posted on Human Rights Watch Film Festival
(T)ERROR is the story of Saeed "Shariff" Torres, a 63-year-old former Black Panther-turned-counterterrorism informant for the Federal Bureau of Investigation. The film is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. (T)ERROR interweaves Shariff’s fascinating journey with a penetrating look at the government’s broader counterterrorism campaign, bringing viewers face-to-face with issues of domestic surveillance, racial profiling, entrapment, freedom of speech, and freedom of religious expression. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individuals and the surveillance state in modern America and asks, “Who is watching the watchers?”

Special Jury Award for Break Out First Feature, US Documentary, Sundance Film Festival 2015
Listen to the HRWFF (T)ERROR podcast with Lyric R. Cabral and David Felix Sutcliffe
Filmmaker(s): 
Lyric R. Cabral and David Felix Sutcliffe
Country of Production: 
US
Year: 
2015 / 
84m
Language(s): 
In English
Genre: 
Documentary
Filmmaker Bio(s): 
Lyric R. Cabral
Director, Producer
Lyric R. Cabral is a New York-based filmmaker and photojournalist who documents stories seldom seen in mainstream media. Cabral recently completed (T)ERROR, her first feature length documentary, co-directed with David Felix Sutcliffe, which premiered at the 2015 Sundance Film Festival, where it won a Special Jury Prize for Break Out First Feature, as well as the Grand Jury Prize at the 2015 Full Frame Film Festival.
David Felix Sutcliffe
Director, Producer
David Felix Sutcliffe is an independent documentary filmmaker whose work explores issues of national security and civil liberties in the post-9/11 era. In 2013, he was included in Filmmaker Magazine's annual list of "25 New Faces of Independent Film." (T)ERROR, co-directed with acclaimed photojournalist Lyric R. Cabral, marks the first time that filmmakers have had access to an active FBI informant in a domestic counterterrorism investigation.

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