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Wednesday, March 19, 2014

10 Stupid Mistakes Filmmakers Make...

It's film festival submission time again, and we are receiving between 50 and 100 new films a day. It's at this time of year that I get all pompous and like to point out the common errors we see time and time again in new films.

1. WEAK SCRIPT

A lot of the films submitted to Raindance are sub-standard - and not because the filmmaking, the editing or the acting is bad - but because there isn't a decent script. And what makes a decent script? A compelling story.

They say that paper is cheaper than film, so buy some paper. And then try to get that great idea for a movie out of your head - properly.

2. BAD SOUND

If there is anything that I have learned over the past seventeen years about filmmaking is that poor sound can ruin a movie. Sound makes the picture. Full Stop.

3. CASTING NON-FILM ACTORS

So you think stage actors can act? Right? So you cast them in your film, which is a major mistake.

Stage actors can act in the theatre, sure. But in the theatre they are projecting to the very back row of the audience - something that looks terrible on film where every little move is magnified a hundred times.

If you must use stage actors, make sure you tone down their performances a notch or twenty.
Want to know more about directing actors?

And one last word on casting: Remember. Your mates can't act.

4. CLEARANCES

If you want to sell your film, you need clearances for everything. Especially the music. It is an urban myth that you can have a Beatles track blaring in the background while your actors stumble around for less than eight seconds.

Not having music clearances is the major reason your film won't get sold.

Here's an article on music rights

5. NO MONEY FOR MARKETING

Dah!  You need to save some of your money for marketing. If you don't, you won't get your film sold. For a free article on the essentials of a press kit, send a blank email to info@raindance.co.uk with the words PRESS KIT in the subject line and we will whiz one straight back to you.

6. OVER RELIANCE ON AN ACTOR WITH A NAME

How many times have we been sent a truly dismal film to the Raindance Film Festival with a "name actor" trying to prop up the film? And how many times have you sat through a festival screening at other film festivals with "name actors" in an otherwise unwatchable film?

7. WRITER/DIRECTOR/PRODUCER/EDITOR/CINEMATOGRAPHER/ DESIGNER/ACTOR - HYPHENATES

I know your film has taken all of your time, and probably all of your money as well, but if you are to succeed you will need to learn the lesson of humility. A writer/director credit is really the max you should go. The fact that you did everything else, including the catering is something you should remember is implied in the world of independent filmmaking - and is not necessarily going to impress anyone except yourself, credit wise.

8. NO FESTIVAL STRATEGY

I don't know how many first-time filmmakers I have met with shorts or features at our festival for their first-ever public screening - and then I discover they have never been to a film festival before in their life. This means they have no idea of how the festival screenings work, how to maximise publicity for their screening. Make sure you attend at least one film festival first, and if possible, try to make it to the Mother of all film festivals: Cannes.

Raindance Film Festival opens for submissions from January 1st - June 19 2009. The 17th edition of our festival runs from September 30th - October 11 2009. Details and application forms

9. AVOID MAKING A "SERIOUS" DOCUMENTARY

About a third of the films we show at Raindance are documentaries - some of which go on to win major international awards and secure distribution in cinemas and television.. It's a sad fact that your serious topic may well be worthy of your time and affection, but it won't sell. Docs that sell are about extreme mental illness and bizarre human behavior.

And one last thing: Mockumentaries have been done to death. Far better to say your "mockumentary" is shot cinema verite style, or something like that.

10. The CASH BAR

I get really pissed off when I go to a screening of a new film, and give up some of my precious free time to then have to pay for a drink. Surely you guys have time to get a drinks sponsor, or throw a bit of cash behind the bar?

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