Writing the Script
- No comedy should be longer than 90 minutes. There's no such thing as a good long joke.
- Thinking up characters is easy; the narrative (what makes a hit) is always the hard part.
- Never make a film about your grandmother unless she's a serial killer.
- The first draft of your script should never be read by anybody. What you call your 'first draft' should be your third, fourth, or even tenth pass.
- If you can get an NC-17 rating without using any sex or violence, you'll be called a genius.
- Never hate the rich. Poor people are not known to invest in movies.
- Pot dealers are usually movie buffs and make for good silent partners.
- Never ask a friend or family member for money for your film if you don't think they have a chance to make it back.
- When you try to sell your film with a treatment, always include a mock-up of an ad campaign so you look like you're thinking like a money person.
- Pay for the music you use in your sound track now. It costs a lot more later if you don't.
- No matter what you've heard, contention on the set does not lead to creativity.
- Go to a lot of trouble to make friends with the neighbors before you shoot on location. Throw them a party. Let them think they'll be discovered.
- Having sex with any member of your cast is a bad idea -- crew is better.
- Teamsters will beat up people off the set if you ask them quietly and politely.
- When you're directing a big star, never show fear. They want you to tell them what to do.
- Who cares which photographer shoots you for each magazine? It's the retouch budget that counts.
- If you are a bald director, make sure you have a baseball cap handy to wear on set because electronic press kit crews will always want to film you from behind to 'see what the director sees.'
- On international press tours, never tell customs inspectors you're in their country for 'business' -- the red tape hell will smother you like an avalanche.
- You can't be friends with film critics, no matter how much they like your first movie.
- Movies people like at film festivals are not always the ones they like in real life.
http://www.utne.com/community/johnwatersgoldenrulesoffilmmaking.aspx#ixzz2z3jN0cIN
No comments:
Post a Comment